Archive for emotions

Making timeless art

"Reclining Nude" by John Andro AvendañoI think if an artist has actually done the work and knows themselves, then they can make something that is real. They are ready to begin making art that reaches for timelessness. They may not get there every time, but they can reach for it. They are involved enough in their own process to sidestep using trickery. They are ready to make art that will truly connect with people on a deeper level. It all comes back to being real with your vision and your emotions. And that’s hard. It is an important part of the difficult work of being an artist. For example, you can look at Picasso’s Blue Period, and say it now looks dated. With Cubism, he left it early, since there was nothing left for him to do in that form. It was a plastic concept. He knew when he’d reached the end of it. Once he started to really relax, and drew and painted his kids and his immediate friends, those pieces are timeless works. You want to keep developing that natural and childlike connection with what you’re trying to create. In no matter what time period you’re living in. Develop the work habits that get your own ideas and emotions into the work. Don’t paint in your head. Paint on the canvas, or whatever medium you choose. Paint every day. As you work, your soul starts whispering to you. And you need to listen to it. That’s where timeless art comes from. The connection to your own life force, and reacting to the universe we live in.

Finding Titles for Artwork

"The Brothel" by John Andro AvendañoI used to name my paintings if I had an emotional connection to them. While making a painting or drawing, the name would just come to me. Those are the best types of titles – when they just come out of the air. Now I call a piece ‘Untitled’ until I find a name, or it becomes an untitled series. For me, it’s much more about the process and doing the work than trying to figure out titles. I’d rather move on to the next creation. There are certain types of collectors who want to know titles of pieces. It helps to draw them into a painting, or helps them relate to it more. It may also help people investigate a painting on a deeper level. A name says something about a piece to the viewer, and they get specific ideas about the work.